Fusion Guitar Lesson

In this lesson you learn how to take chords, scales, and other devices and turn them into jazz guitar lines and comping patterns. For example, over Cmaj7, as in the notation below, you start with the tonic, Cmaj7, and you divide the octave from C-C in half, which gives you the note F#. Then, you harmonize that second note with the same chord quality as the tonic, F#maj7, and you alternate between these two chords in your lines.
This example is making use of the 3 note per string pattern to make it easier to play faster and more intervallic runs is Instead of thinking of the scale as a row of notes I am thinking of the two notes per string position with an upwards and downwards extension of one note for each string.



I thought that much of Allan's approach and style of playing arose from the fact that he did not want to play the guitar as a typical guitar - he was looking to obtain the fluidity and angularity of the saxophone, and I believed that much of this was inspired by the work of John Coltrane.
Levi, known for his detailed and methodical approach, explains why particular notes are played in relation to a specific chord, talks about fret board visualization techniques and just makes the technical side of blues fusion a whole lot less daunting.

Here's a C major scale played in triplets. Here he will Breakdown the complete Guitar Solo note for note and give you some playing tips on how he pulls off some of the crazy Arpeggio and Tapping Licks. I really like and have been inspired by these guitarists and I still learn things listen to them but I try to do these things to my own and I really recommend you to do the same otherwise it´s not you who´s playing.
Learn how to infuse your blues playing with some warm, rhythmic jazz phrasing with one of the busiest guitarists, teachers and instrumental journalists in the UK. Levi has taught at the London Guitar Institute and the prestigious IGF Festivals. As the bass player covers the root note, jazz guitarists often drop the root note from any chord shape in order to make the chords easier to play.
One is for TrueFire which is on Blues Guitar, the other is for Mike's Master Classes which is on traditional Jazz Improvisation. Unlike those who rock and roll, funk guitarists hybrid picking fusion licks focus much more on the upper strings and generally employ, as has been said, techniques which enable them to make rhythmic, harmonious music in sync with the rest of the band.

The maestro of baroque music on the electric guitar. Rock Rock Guitar Made Easy Lesson 1 (Mp3 Tab And Backing Track)(1).zip. After you work this exercise over the written notes, you can add passing notes to any other note that fits these chords in your playing.
Colorado Springs Guitar Studio owner and guitar instructor Steve Langemo is a versatile electric and acoustic guitarist with a diverse background in jazz, rock, blues, funk, fusion, metal, pop, and classical music. The thing with Mike Sterns playing is among other things he´s rock energy mixed with the jazzy thinking of scales and tones.

The first section of the lick is based on the A Dorian scale, and the second part is based on the minor blues scale using wider intervals and stretch fingering for more fusion sound. I truly enjoy learning to play the guitar on Yes, I said the words, ""enjoy learning."" It is by far the best deal for the money.
Example 3 is a phrase with a higher difficulty level, mainly because it combines 32nd notes and 16th note triplets with a stream of 16th notes, but also because it uses a lot of chromaticism and chromatic approaches. Our backing tracks provide a wide variety of tracks from different genres of music, and serves as a great learning tool.

Leave a Reply

Your email address will not be published. Required fields are marked *